On Writing Romance
I was on the radio earlier this week (thank you, News 95.7 and The Sheldon MacLeod Show !) promoting my Spy Games series and one of the questions was about romance writing and why I chose it. (My husband once asked me the same question, btw–“Shouldn’t you *be* romantic?!?”)
But honestly, that’s not what interests me the most in my writing.
My contemporary books come in with a fairly even mix of romance and plot. I’m as interested in my characters’ daily lives as I am in their developing relationships.
(And I don’t only write romance. I have a dystopian fantasy series—previously published as the Demon Outlaws, now rewritten and with brand-new covers!—coming in the fall of 2017, and they have much more plot to them now. They’re no longer classed as romances.)
I have a background in social anthropology however, and it’s the snapshot in time that fascinates me about romance novels in general, both from a macro and micro perspective. For example, romance novels track the feminist movement. When I started reading them in the 1970’s, heroines were secretaries and nurses, and submissive to the more powerful heroes. We then saw the rise of the “bodice rippers” which showed women asserting themselves more. Now heroines are CEOs, doctors, pilots, (and spies!) and the relationships are more of a partnership. There’s room in these books for the alpha hero, but also the beta. These trends are reflected in the other genres, but I write contemporary romances so I’m talking about what I know best.
Culturally, romances also show glimpses into today’s society and what’s happening in daily lives. They reflect what’s relevant to the Real World. Characters are using Blackberries. (ßThat’s meant to be a dated reference. Who uses Blackberries anymore?) They’re traveling to popular destinations. We now have same-sex romances and multi-cultural romances. You see a lot of romantic suspense involving Navy SEALs. A few years ago, they were all searching for Osama bin Laden… I got tired of those so I wrote about Canadian spies. (If you want to know why, then read more about me here. It turns out I have useful knowledge!)
Even the romantic relationships themselves are snapshots. “Falling in love” is the first step to a lifelong commitment. Women’s Fiction (a separate genre) often follows what happens next in human relationships–or perhaps the murkier, messier side of them.
I know I have a lot of writer and reader friends out there. What’s your take on romance? Why write it? Why pick one up to read?
Why would you not?